Wednesday, 27 April 2011

Guitar Practice Guide

I have three modes of playing:
One is the practice mode, where I try to learn a new skill. This is when you are mastering the tools you will use.Another is performance mode where I combine what I learned in practice mode with how I feel at the moment. All the different techniques and skills you acquired in practice become the "colors" available to you when performing. You use your skills to recreate or create artwork on the spot.Then there is experimental mode where I just try new and crazy things and create new patterns or techniques. This is the mode where anything goes, and nothing is wrong. This is the time to try it the wrong way just to see what it sounds like, or to change things to match the way you feel inside and make it more personal. This is the time to throw as much paint or as little paint on the canvas as you want in whatever combinations you want. I think I have the most fun in experimental mode, but in order to get to this stage, we need those skills gained through disciplined practice.

In order to be able to have lots of tools to use, and fun with playing an instrument, we have to go through the practice mode. If you like to learn, you like the guitar, and you like music, then I don't see why practice shouldn't be fun. Practice should be fairly steady and regular so that you're not always backtracking and re-establishing what you have already done. If you have lessons weekly, I would recommend at least 1 hour of practice every other day. Your guitar, your body, and mind have to warm up before you can make progress in your practice. The more practice the better, though you should stop if your fingers start to hurt. Practicing a few times a week for at least a half hour is the minimum. For example, it's better to spread your practice out into 30-60 minute intervals than to practice 3 hours in one day before the lessons.;)

I think of it as a time to discover the potential inside you. It's a language not restricted by words, where you can express your creative side. You are learning about yourself. Just take it one step at a time and don't get frustrated when you can't learn a song in one day.

"With every mistake we must surely be learning" -George Harrison
Learning takes time. I recommend practicing at least 15 minutes every day or 30 minutes every other day to keep things fresh in your mind. An hour to a few hours is the ideal amount of time to practice each day. When you go too long without practicing your brain will start to forget and your dexterity will suffer. You will spend your time regaining lost ground instead of advancing into new territory. In order to advance at a steady rate you need to keep with it.Practice should involve learning. When you practice, concentrate and try to do it right. If you are doing something over and over and at some point become distracted, lose concentration, or become tired, you should stop and continue another day. Or just play another song and come back to it later. Once you are tired you will not make meaningful progress that you will retain. You may also end up hurting yourself.Practice Slowly. Whatever you practice is what your brain will retain. So if you're rushing through something playing it with mistakes then that is how you will perform. In order to correct this we need to slow down. Learning and perfection can't be rushed. If you need to slow down to a crawl in order to do it right, then do so. It's better to play slow the right way, than fast the wrong way. In the beginning the learning must be done slowly so your brain can have the time and space it needs to grasp the problem and solve it. If you play things too fast when practicing, errors will go unnoticed and uncorrected. Speed comes with time and practice. Try to do things correctly when practicing. If you start to lose concentration take a break.Painful Fingers or Wrist. If your fingers start to hurt take a break, your body is telling you something is wrong and you should stop. A little at a time is better than a lot at once. Eventually you will build thick calluses on your left "fretting" hand. This will take time and should not be rushed. Routine practice will ensure that you do in fact build these calluses that will ease your playing. The problem might also be that the strings you are using are too heavy for you. Switch to a lighter gauge or the lightest gauge, you will feel a big difference. Also, you could be making it harder on yourself by playing in an awkward and bad position. That brings me to the next point.Proper Position. Practice in the position I show you during the lesson. If you don't have the proper support structures you can use a stack of books or other mass to create it. If you don't practice in the proper position you may strain your wrist or hurt yourself. To avoid this, always practice in the proper positions that I will show you. The focus here is to minimize the bending and tension in the hands, wrist, and body. You want to be comfortable when you're playing. You want efficiency of effort. Playing in the proper position will enable you to play chords and shapes with the proper and efficient use of force behind it.Using a Metronome. A metronome can be a useful tool for learning to steady yourself and play in time with the music. It's also a good way to test where your trouble spots are and focus on those.Focus on Trouble Spots. To make practice time more efficient, focus on the parts of the music you are having trouble with. If you can play the entire song perfectly but have problems with one section, then practice the one section you have trouble with. Aim for being able to play the trouble spot ten times in a row the same way without deviation. If you deviate then your brain has not solidified what you have learned. Give yourself breaks and come back to the trouble spots again later. Sometimes you need a day of rest before it sinks in after a good practice session. Try to include the bar before and after the trouble section so that when you incorporate it back into the entire song you will be familiar with the transitions.

I'm a professional musician that has been involved in music since an early age. I started with violin at age six, choir at eight, and guitar at fourteen. I started writing my own songs at age seventeen. Since then I have been refining my craft.

I've taught guitar lessons, played weddings, played guitar in a restaurant, studied acoustics, and designed and built a recording studio. Music has become my full time profession. I now also do guitar string reviews online. For more information and to check out my string reviews visit my website at:

http://www.stringcritic.com/

Guitar String Reviews, Ratings, and Comparisons. Compare with audio files and post your own reviews in the forum.

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Article Submitted On: February 28, 2011

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